#Autodesk flame 2010 software
#Autodesk flame 2010 tv

I wanted to start with the '3D VFX for Television' demo which highlights Flame working with Maya and Flare on some commercials we got from the guys at The Mill in London and New York. Granted, most of the time you wonвЂ™t use a quarter of FlameвЂ™s toolset, but now that it handles all the different CGI file formats, any colorspace or resolution, there is no harm in having a few sledgehammers around your facility, ready to smash all the jobs that come their way.I know it's sometimes difficult to find the great content on The Area so I thought I would start linking you all to my favorite demos from the show. But if you want an easy life, or at least you want to focus your limited time on the most important issues, IвЂ™d suggest you choose a one-box-does-it-all solution so that you can throw any project at it with confidence. I donвЂ™t mean this article to demean any of the other platforms, as we work successfully with most of them.

#Autodesk flame 2010 software

There are so many great pieces of software out there that it is a genuine problem for a facility owner to know where best to hang his hat. How times have changed from when Flame first arrived in the early nineties! Maybe there is a different skillset or attitude in a Flame artist generally, or maybe they have more time to check things, but we are now trying to ensure that all transmission files get a final вЂQCвЂ™ in Flame.

Sounds obvious, but if a delivery ever gets rejected by a station, or by a channel, or by a client (which of course never happens to us!), nine times out of ten it wonвЂ™t have been finished in Flame. вЂ¦and your last job is only as good as your deliverables. Like a knife through butter, as my business partner Truss once said. We choose Flame because it is simply the fastest tool for the job. So, if we can iterate more quickly, the end-product will almost always be improved. Where the creative process is different, is that the more attempts you get to achieve something, generally the better (literally more refined) it becomes. Choose two!вЂќ In theory, you can have good and cheap, but it will take time or good and quick, but it will be more expensive. There is a well-known saying in post and elsewhere, often referred to as the Iron Triangle: вЂњTime. Our top end Linux workstations with dual graphics cards mean each artist gets almost twice as much work done in a day, and the artist is the expensive bit. We pride ourselves on having the latest cutting-edge kit, and not for vanity reasons.

Ok, Flame can now run on an old MacBook from 2010, but thatвЂ™s a false economy.

ThatвЂ™s not just generosity - it allows us to get as much value out of them as people because they work quicker and better on Flame.Дў/ If youвЂ™re going to do it, do it properly Most of our team, both old and new (or experienced and very experienced) choose Flame as their preferred system, so we provide it for them. It makes no sense to mandate a company policy on which software to use when the people best placed to decide this are the artists themselves.

#Autodesk flame 2010 tv

We are lucky enough to have built up a network of amazing artists, stretching back to way before Coffee & TV was just a glint in our collective eyes.